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Professor Mahmut
Esat Ozan has been the rare, tireless voice in the United States, putting up
his dukes in the sea of Turcophobes for many years. Here is a commentary that
appeared in The
Turkish Forum.
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| THE
"RAT" IN EGOYAN'S "ARARAT" HAS BEEN FINALLY ENTRAPPED |
MIRAMAX TO LOSE MILLIONS EGOYAN IS SAID TO BE BROKE AZNAVOUR OUT OF
HIS LIFE SAVINGS
It seems that the controversial Canadian movie director of Armenian origin, Atom Egoyan
and his new film adventure called "ARARAT" have had their third strike against
them. To the deep disappointment of the huge Hollywood distributor MIRAMAX Corporation, a
Disney company subsidiary, "ARARAT" is termed by the world Press as a
"FLOP". Disney, and Miramax corporation are not expected to recoup their
millions for a long time to come, that is, if they ever do. The executives are infuriated,
seeing their investment going down the drain to the sewers, the domain of rats. The French
Press is abuzz with stories how Egoyan and Aznavour invested heavily in their mutual
"PET PROJECT" and may never recover from their losses.
Canada where the movie was made, won't be an exception. Everyone connected to the film is
running around with sullen faces. Melancholy and depression is everywhere. What is most
striking is the fact that Egoyan's dream of becoming a 'hero' for the Armenian Diaspora is
also fast evaporating. Ironically, of all places, in France, "ARARAT" has been
declared a disaster. Knowing that France is the birthplace of the famous
singer-turned-actor Charles Aznavour, the principle actor of the film in the leading role,
this 'flop' is considered the 'swan song ' of his long career.
The day following the first showing of the film in a plush Paris 'cinema', France's
respected movie revue called 'Le Studio' had the following headline: " ARARAT,
Egoyan's Huge Disappointment". In its main article the magazine was quite ruthless in
its unexpected analysis. It said : "ARARAT" did not usher in the much hyped and
certainly hoped illumination it was supposed to provide." The article continued:
"When Egoyan had an opportunity to produce and direct a nice film, instead he left
all reasonable approach aside and tried to revise and re-write history. At that point he
had entered a very dangerous zone. There was nothing else left for him to do but to butt
his head against concrete walls. Though he was much traumatized, the lacerations and
lesions he received from this sad experience were less injurious to him than to his
Armenian pride."
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More
Criticism
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The most virulent critiques with regard to the movie came
from the Armenian community of Turkey, of which one of the representatives, a
journalist, Hrant Dink, editor-in-chief of the Armenian language AGOS, which is the
main Turco-Armenian communal newspaper, was present in Cannes. In the backstage
conversation which took place In the presence of many journalists, some Turkish, he
denunciated Egoyan, blamed him for having made a movie quite damaging to the Turco-Armenian
relations. Hrant Dink also admonished Egoyan for having made a film that could not
be shown in Turkey. He asks the director: "Why weren't you able to make a movie
that everyone in Turkey, including the Turkish-Armenians, would be satisfied to
watch together? This is not entertainment, it is a propaganda piece for
hatred."
Not so severe, but at the same time slightly similar situations to come were
predicted in this column in April of this year. In a Turkish Forum essay entitled
"Turks Smell a Rat in ARARAT", this author had warned its readers and said
that "ARARAT" could be cast 'out of projection' at the Cannes Film
Festival. The reason for reaching this conclusion was simple. "ARARAT" was
not made to entertain . It was made, with all deliberation, to propagandize a point
"HATE THE TURKS, and DESPISE THEM, because they are not human beings like you
and us Armenians." There are half a million Armenians living in France. Almost
that many Turks also call France their home. Many of them had hoped that the Cannes
Film Festival would nix this bigoted, racial monstrosity' Their dreams came true.
The film was not placed on the regular fare of projection. In other words, it was
ipso facto rejected.
After years of preparation, researching, ( inventing ) the script, after endless
hours of hard work of casting the film's characters, and tedious fund raising
sessions to be able to get enough cash to produce the story, after months and months
of advance work to create a feverish hype to publicize "ARARAT", Egoyan
and his partner, Charles Aznavour, received the shock of their lives. Even though
their expensive venture "ARARAT" was not included on the menu, the evening
of Monday May 20th the disappointed couple came to attend the opening of the
Festivities. What they, and the Cannes Palace of the Festivals were witnessing for
the first time, was a large group of Turks who had arrived from all parts of France,
to demonstrate in front of the promontory of the Palace of Festivals, loudly
protesting the presence of Egoyan and Aznavour. The clamor of the young picketers
was accompanied by traditional Turkish Davul and Zurna music. Armenians who have no
understanding of and no taste for democratic criticism wanted to alert the local
police, claiming that the action of these young Turkish students' manifestation was
a 'dangerous and disruptive' thing. No law officers were observed anywhere. The
Turkish students' carried on doing what they had come there for. Their purpose was
to divert attention from the two, and be able to protest and inform the crowd with
their neatly prepared signs. They were there to show their opposition against this
highly inflammatory racial rubbish, this hate-mongering monstrosity called
"ARARAT"
The serious French publication"LIBERATION said that Egoyan had felt obliged to
talk about the alleged Armenian genocide in his film but instead left the impression
that he was discovering his Armenian identity for the first time. The newspaper
asked the following question: "What ground level did he have to reach ,? and
what price was he prepared to pay for doing so?
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| LE
MONDE CRITIC PILLORIES THE FILM AND HIS DIRECTOR |
The well-known French daily, Le Monde had this headline: " ATOM EGOYAN'S ARARAT IS A
MYTH ENCARCERATED IN AN INTELLECTUAL PRISON" The inside story of the same publication
continued: This film was not narrating the story of a 'genocide' it was crudely trying to
gauge the future influences and affects it may leave on the human animal" Le Monde
continues: "Egoyan and his film are entrapped here. The Canadian director is in
trouble. On the one hand he wants that his work be viewed by every movie-goer in the
world, but his work "ARARAT" seems to have been filmed with undue complications
created by his own script. The massacre scenes haphazardly injected here and there, the
tasteless dance sequences performed by naked young women, their individual murder scenes
after their being raped by those savage Turks, their being torched with kerosene and their
subsequent deaths do not add any artistic or redeeming value to the film, on the contrary
they contaminate Egoyan's work and leave a salacious taste in the viewer's mouth."
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THE
SYNOPSIS OF THE FILM 'A HATE CRIME SYLLABUS'
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The film called "ARARAT" packs a wallop of vengeance and teaches the
younger generations that animosity and terrorism are permissible when you hate
Turks. Is the Armenian movie, director Atom Egoyan's new production
"ARARAT," an ordinary motion picture? The answer is: definitely
"NOT". This movie could easily be labeled a 'HATE CRIME SYLLABUS' shot in
Canada, for the sole purpose of teaching everyone, including the innocent minds of
the children of Canada and of the rest of the world, to begin to hate Turks.
The original proponents and the zealous supporters of this project, namely th e
'Armenian Motion Picture Endowment,' (AMPE) gave statements in the past, at hastily
announced Press conferences that they were extremely proud to have spent 14 long
years on this project, which was characterized as an engrossing
"true-to-life" documentary film. Their press releases showed that their
project was delayed for many years for lack of funds. But now it is being taken over
by one hitherto unknown movie director of dubious accomplishments. Press reports
about him have been hardly positive.
This 40-year-old director Atom Egoyan-whose previous amateurish films have been
classified as being : "cerebral" and "dispassionate," where all
characters are often psychological misfits, not unlike their director who calls the
scenario of his movie a "true but rarely discussed subject of the 1915-1917
annihilation of over a million and a half Armenians by the Ottoman Empire."
This statement of his alone, (the Armenian Genocide,) gives away his ignorance on
the subject matter. This has never been a rarely discussed subject. The Armenians
have never stopped talking about it from day one. They've been talking about this
very subject and nothing else but this subject in the last 87 years. They have had
an obsession on this very subject. The reader may remember our 1999 Turkish Forum
article: GENOCIDE.COM which went into detail in explaining this point.
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| NOW
IT CAN BE TOLD (again) |
The fictitious scenario of the film is based on a poem written long before the
alleged Armenian genocide, by another person called Atom, only this one had a
different last name: Yarjanian , popularly known as 'Siamanto.' The title of his
poem is " The Bride." The poet was born in Russia in 1878 and died of old
age in 1915. It was after his death that the Armenians began to talk about their new
claims of the alleged genocide, not before.
The Canadian reporter, Gale MacDonald, who visited the filming while it was shot on
location, says "the poem is very raw. In its application to the scenario of the
film called "ARARAT" It holds a mirror to ugly men (all Turks) who did
unspeakably ugly things, tortured 20 young Armenian virgin brides who were made to
dance naked, hand in hand before the crazed mob, (the Turks), they twisted and
twirled, and when they fell to the ground, exhausted, their captors, (the Turks)
shrieked savagely for them to stand. They could not, so they raped them one, by one,
and then they doused them in kerosene and torched the bodies. And the charcoal
corpses rolled from dance to death, wrote the poet.
What Yarjanian was talking about may have been a Russian 'Pogrom', against the
Armenians who were subjected to these types of brutality by the Russians who hated
them. The plot, it seems, was cleverly and conveniently borrowed for this senseless
slanderous effrontery called "ARARAT."
The publicist of the film says: "The death scenes have been grueling for many
Armenians to watch. There are bodies burned, heads on sticks. It was a very barbaric
extermination. Visibly pregnant (Armenian ) women had their stomachs sliced
open," He continues :"This film "ARARAT" is not for the faint of
heart. Egoyan is going to mess you up!" Siamento (Yarjanian) confronts pain,
destruction, sadism, and torture as no modern poets have."
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| ON
TOP OF IT ALL EGOYAN FEELS VERY COMFORTABLE WHEN HE LIES |
Without batting an eye, Egoyan lies when he says: "In 1948 a United Nations Genocide
Convention was adopted, and the Armenian Genocide was condemned by the international
community as a crime against humanity." Here a correction is in order. The Convention
took place in 1948, however, no such resolution was ever passed by the U.N. and Turkey was
not condemned for any such crime by any U,N, body. This must be a figment of his fertile
imagination. He also says that " a recognition from the Turkish government of the
Armenian holocaust is imminent." To that we'd like to say : "That'll happen when
hell freezes over." So don't hold your breath, Mr. Egoyan."
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ARE TURKS,"
THE BIGGEST BARBARIANS WHO EVER LIVED"?
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What is discussed in California's large Armenian ghetto circles today is the
above-mentioned, "true-to-life" documentary which according to them, will
teach the world that "Turks committed the first Genocide of the 20th
century", and that for 87 long years Turks never owned up to its
accountability. Unfortunately, for the Armenians the Egoyan film, "ARARAT"
is no longer in a position of doing that, because it has proven to be an
unbelievable, dishonest story by the critics who saw it and passed their judgements
on it.
During this film's total entirety, not even the smallest reference is offered to the
Turkish rebuttal of any sort. The Armenians deliberately concealed the existence of
a civil war, which raged at the time, and that more than 2.5 million Ottoman Muslim
citizens perished at the hands of the rebellious Armenian Hinchak and Dashnak
hordes, helping and abetting the Caucasian Army units of the Russian Czar Nicholas
II.
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| IN
EGOYAN'S "ARARAT" HATE WILL STILL BE ALIVE AND WELL |
The film "ARARAT," partially financed by the Disney Studios and distributed by
Miramax Corporation, has already earned the title of the world's 'MOST HATRED-LOADED FILM
ever attempted to be made to date Despite the fact that it was judged to be a 'flop' will
not prevent it to do its damage. It will still influence generations to come. There are no
two ways about it. Like in Mary Shelly's Frankenstein story' this monster will stay
"Alive" will not die in our lifetime. What a shame ! Egoyan's deliberate
malevolence will implant the seeds of 'ill will' and hatred for the detriment of not only
the Turks, but also for the whole human race.
(End)
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Over 90% of French-Armenians
Turn Up Their Noses at ARARAT
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Translated (from tetedeturc.com) by:
Mahmut Esat Ozan
The Turkish Forum, Sept. 18, 2002
LATEST NEWS FROM FRANCE: EGOYAN'S
"ARARAT" DECLARED A "MONUMENTAL FLOP"
We bring to your attention the French box-office results of the controversial movie
called "Ararat" of Atom Egoyan , Number of entries in Paris September 4,
the day of the national showing to the public of the movie "ARARAT"
291(official theaters). The Armenian community of the Parisian region counts more
than 80 000 members.
Number of entries in France as of 09/04/02 to 09/10/02 (the movie was distributed in
more of 70 movie theaters ): The attendance: 15.545 (official number of entries of
the 09/04/02 to 09/18/02: The (non official evaluation of Armenian source gives this
number as being 35.000.
In spite of an impressive media hype, less than 10% of the 500.000 Armenians of
France went to see this movie "Ararat." The poster displays of the movie
has been withdrawn from numerous theatre lobbies since the end of the first week
when the showing started. The faillure of "ARARAT" has created great
commotion in the Armenian activist circles. Movie business people also hadbig
complaints with the results of ticket sales in the same neighborhoods. It is
impossible not to wonder about the reasons of this huge failure.
You don't have to look far to find out the reason for this. "Ararat" is
simply a horrible movie. It is a misfire a foozle, (a bungle or a bad strock in
Golf), and to quote the famous Parisian newspaper LIBERATION, it is also
'salacious.' The scenes of violence which show the Turks as rapist monsters are
termed ridiculous, scandalous and obscene. The obscenity of it all, however,
culminates with the total absence in the movie of any atrocity committed by the
Armenians on the Turkish population.
The manipulations and the falsifications, the abject propaganda and the obvious
disinformation in "ARARAT" are unbelievable. The movie-goers and the
critics are unanimous on the verdict: "This is a bad movie." Everybody
says the following: "Ararat, the Mountain" has delivered a monumental
"flop!"
Cordially from France: Scapegoat's team
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Click here for more on ARARAT
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